For companies, agencies, and teams
I lead conferences, team sessions, and events for 20-1,000 people, depending on the format, venue, and goal. This is a range of experience, not a promise of a specific group size.
Music, movement, and cooperation for conferences, events, and team sessions.
I lead musical activities that activate a group and create a shared experience, not just another attraction.
I work with people through music, movement, and cooperation.
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Rhythm helps a group move into action.Check whether the format fits the event goal, participants, and brand tone.
I lead conferences, team sessions, and events for 20-1,000 people, depending on the format, venue, and goal. This is a range of experience, not a promise of a specific group size.
In 2016, I co-created an event with 661 people. It is historical evidence of scale, not current cooperation with a brand.
I have led events and team integrations for teams from these brands, directly and through event agencies.
From a short opening to a full workshop, I match the scale and flow to the goal, group, venue, and time.
15 to 30 minutes of shared rhythm that warms up the room and sets participants up for the programme. Ideal for conference openings, after lunch breaks, or between keynote blocks.
Shared activity from simple body percussion to a full multi-part finale. Participants become a boomwhacker orchestra, breaking barriers and building trust.
An in-depth workshop format combining rhythm, group dynamics, and collaboration. Perfect for company retreats, offsites, and team training sessions.
We agree the goal and constraints, then I build rhythm, lead the group, and bring the experience to a close.
We talk about the goal, guests, venue, and technical constraints. Then I propose a format and match repertoire to the group, without a fixed song list.
I start with rhythm and repetition, then add melody and a colourful groove so the group reaches a shared finale.
A shared performance closes the event, and its line-up follows the variants described below.
Footage from a musical integration for GLS: the team moves from the first rhythm to a shared boomwhackers performance.
I lead the same material in three line-ups, matching the variant to the event scale, venue, and budget.
I lead on my own, as the conductor and energy facilitator. The simplest logistics, a format that works for conference icebreakers, workshops, and team sessions.
A live keyboard or percussion player joins in, deepening the sound and holding the room's energy. A middle ground for events that want stronger live music.
A full live line-up or an opera conductor in the finale. A format for galas, anniversaries, and large conferences, where the finale should sound like a concert.
After the brief, I prepare a scope for the event, directly for companies or as an event agency subcontractor.
We agree the goal, format, timing, group size, and venue so the offer fits the programme.
The quote depends on the number of people, tubes, and format. We confirm details before the event.
I adapt instruments and equipment to the venue, including a large hall. The organiser receives conditions in advance.
As a subcontractor, I agree scope, role, and terms so the agency can clearly include them in the client offer.
A concise one-pager to print or include in your client pitch: line-up options, formats, and event requirements.
See projects with context, date, my role, and a source.
Three articles on how music and boomwhackers build cooperation in a team, before we agree on the details of your event.
What a group says about itself before it says anything, the three moments of shared playing where the truth comes out, and the questions for the debrief.
A ready 15-minute opening scenario that turns a room of strangers into a team, with facilitation tips and observations for HR.
DISC is easiest to understand in shared action, not on slides. The exercise, the questions for the debrief, and what DISC is not.
These answers help you check the fit before getting in touch.
Tell me what you need. Together, we will work out the format, date, and practical details.
I answer calls on weekdays from 9 am to 5 pm.